15 Books to Read If You Like Jane Eyre

Discover captivating tales reminiscent of Jane Eyre with our curated list of 15 must-read books, blending romance, mystery, and compelling characters.
Welcome to an insightful journey through the '15 Books to Read If You Like Jane Eyre,' written by Muhiuddin Alam on the book recommendations and reviews site, ReadingAndThinking.com.

Over the years as a leading authority on literary expertise, I've created numerous articles on the topics of Classics and Masterpieces Books, many of which can be found on this site. I'm also a regular contributor to other book-related websites and publications.

I have received many requests to recommend some of the books like Jane Eyre. In response, I'm pleased to offer my expert recommendations in this article.

So, when I suggest these books, it's because I've read a lot and want to share the best ones with you. I'm all about making your reading experience awesome. Trust in a guide deeply immersed in the literary books and stories. I love books just like you do!

I will recommend books similar to Jane Eyre in this post, which is based on my in-depth study and testing in this field. Some notable recommendations include Villette, The Tenant of Wildfell Hall, Agnes Grey, Wuthering Heights, Northanger Abbey, Rebecca, Mrs. Dalloway, A Little Princess, Little Women, and Anne of Green Gables.

These aren't the only books on this topic. Below, you'll find 15 books with detailed descriptions of each of these outstanding resources, helping you make well-informed decisions to choose modern books similar to Jane Eyre. 

What are some modern classic romance books like Jane Eyre? 

If You Like Jane Eyre by Charlotte Brontë, Read These Books. 

As women, we should read books, because books will tell us how to be an attractive woman.

The so-called charm is not just about appearance, but more about inner quality.

Forgiving women make people feel warm, humorous women make people feel happy, confident women make people feel strong, elegant women make people feel comfortable, and temperamental women make people feel generous.

This is the difference between ordinary books and good books. The former is optional, while the latter is highly sought after, enduring, and often new.

"Jane Eyre" is also included in the textbook, bringing inspiration to every child's childhood, such recognition is enough to explain everything.

If you don't know what to read, you can't go wrong with Jane Eyre first.


Many girls have owned a copy of "Jane Eyre" since childhood, and they will open this book from time to time until they are young, middle-aged, and even old because it is so classic that it can give people different experiences in every age. Inspire.

Watching "Jane Eyre" when they are young, most people will be shocked by Jane Eyre's character and moved by her love. But when you look at it as an adult, you will not only stop there but see the way you should live from Jane Eyre.
I recommend the following 15 books similar to Jane Eyre that are most suitable for women to read. After reading them, I believe you can also become an attractive woman. 

1. Villette 


Villette by Charlotte Brontë

In Charlotte's most autobiographical novel, she always carefully protects Lucy Snowe's true thoughts, like a shy girl who is unwilling to admit that she has a crush on others in adolescence, and deliberately locks her diary so as not to be seen through by everyone at a glance.

Charlotte of the 1850s was not the hopeful little girl she was when she wrote Jane Eyre. She is lonely, and she is old, but she is still pious, and stubborn, and continues to mediate between reason and emotion.

Lucy Snowe is just a younger version. Her emotions are ahead of her courage. She loves, but she doesn't dare to love. She can't admit it to herself, let alone to the readers. The editors and others even suggested that Lucy is an unreliable narrator. Yes, she is.

Under such circumstances, the first few chapters made me very depressed, and at the end of the first volume, I finally felt that I could continue reading. Because she finally admitted her loneliness, and she longed to get along with people and company.

At the beginning of the second chapter, it is estimated that many readers will slap the table like me, fully exploring the infinite possibilities of dog blood under the seemingly plain plot. . . 

But this kind of bullshit is not reproduced in this chapter, it just describes how to correct the wrong love view of the crush, how it was ignored by him, and finally, he was asked to make a confession on his behalf of him. . . The bitter girl route, this is not. . . But the girls who are used to secret crushes are afraid to feel the same way. Even if Lucy doesn't say it, she feels sad to death...

Later, when I met a rational representative, it was considered that someone liked me anyway. In addition, that person was academically good, reliable, and had a good temper. 

In short, everything became more pleasing to the eye. All kinds of lies and dismantling of rivals, as well as the unimaginable three years of not seeing each other, and they are about to be together~! So here comes another dog blood plot. . .

Linguistically, the general style of that era, coupled with the author's love for Pilgrim's Progress and the Bible (similar to Jane Eyre), often leads to various metaphors and references, but Penguin or Oxford's edition notes are more detailed.

What makes people mad is the French interspersed in the middle. At every critical moment, everyone will start adding French when they are emotional (because Brussels/Villette is a French area), and even if there are comments, it is not good to read! 

You think, if you see two people arguing in Mandarin, quarreling, and starting to speak Hokkien dialect (I am a Hokkien idiot), then you can't grasp the keywords, wouldn't it be very tight in your chest!

Charlotte likes to use juxtaposed adjectives in language. There are many long sentences, which is a headache, but she can also use short sentences at key moments just right. For example, The night is over. All is over.

Another thing that makes people unbearable about this aunt is that she often gets up high and writes her own associations, deliberately maintaining a certain sense of fragmentation and ambiguity in the picture, writing several pages, and watching After a long time, she found out that she was just guessing. I was wondering if she was Woolf's predecessor...

Like all women in love, her descriptions of characters become very fast, and she deliberately doesn't let you see what she thinks, so she uses a detached tone when describing key characters, just like Lucy's performance. out of the detachment. Lucy's explanation for this is: As for this part, I would like to keep a little to myself.

2. The Tenant of Wildfell Hall 


The Tenant of Wildfell Hall by Anne Bronte 

  A story of a girl who is quite self-assured and confident, but is still very simple in fact.

    Helen's self-confidence when she first entered the social world, half-joking with her aunt, very Austen's style, impressive, a little rebellious girl in adolescence began her life in this way. In the story, there are people who the girl likes and people who don't like. The knight rescues her from trouble. 

With funny and humorous chats and laughs, the girl falls. Her feelings are so strong, and the portrait is her secret voice. If there were no Arthur's little tricks, would she have combined them so quickly? Although anxious and apprehensive. But is it really love? Is love covering the eyes?

    The girl is savoring her new life, and the sweetness always comes first, and whether it will last is another story. Life is always realistic, but is it cruel? The other half of the iceberg already exists! 

Helen walked step by step, worried, worried, disgusted, rejected, broken! remorse? If I did it all over again, would there be a different choice? Arthur is dead, she's free, and she's happy, as the book ends. But why don't I think so?

    Just as the comments said Helen was too much like a missionary, in the later period she (in her diary) was stubborn, righteous, and dignified religious creeds were tiresome, and she had lost the vivid color of the past. The flowers withered.

    What was Hargrave like? gentleman? Although he had been helping Helen, it was always selfish. Does he want to play the love game? Some are not, but why is there always a shadow of evil in him? 

If Helen's moral sense is weaker, or her character is less determined, then there will be another story, the bewildering Hargrave, who is only the touchstone of Helen's moral and religious beliefs?

    Millicent is such an interesting person, she would marry Arthur's friend Hattersley! It's really surprising, thinking that at the beginning, she was the one who advised Helen to be careful and recognize Arthur! 

I thought she would give Hattersley a solid lesson without hesitation! But the result was a confused and flustered marriage. Hattersley's return was her thankful, sudden luck, and perhaps the author's contrasting luck for Arthur's finale. really not easy!

    After reading it carefully, only Helen's diary is the most attractive, and the stories in the diary are the most exciting!

3. Agnes Grey 



Agnes Grey by Anne Brontë 

Before I read it, I thought she was a weak woman who suffered from asthma for a long time, with an introverted and contemplative character. Her words were sad and sad, and even though they made people feel sad, she was between the expression of self-emotion or heavy reflection and preaching. Even if the work is attractive, it does not make me feel any admiration for the author.

    The book is not thick, and the beginning is not a long and charming description of the scene. She does not seem to be in a hurry to catch the reader's nerves, but the short monologue is pleasant to read, and the plot unfolds in the introduction of the parents' story. 

She communicates with readers in calm language and shows herself sincerely, which makes me feel as if a good friend is telling me something intimate, which makes me involuntarily care and give my sincere blessings.

    The part about her self-dissection captivated me the most and showed her wit and charisma the most. She has an incomparable reverence for perfection, perfection, and perfection as the highest value standard, and thus has gained incomparable strength and enthusiasm. 

Her firm belief and self-respecting personality made her think deeply and powerfully about human nature and emotion. She moves toward deeper and broader thinking in her thinking, and she does not move toward blindness, arrogance, or paranoia in her inquiry, and perhaps with God's guidance, she does not feel lonely, weak, or powerless. 

She unswervingly believes in what she believes and strongly inspires readers to yearn together. I also firmly believe that it is worthwhile.

    I really regret that the god she believes in has not given her more human experience. Maybe she can go to heaven to meet William Wittman, but selfishly speaking, I hope this lady whom I admire can have more time, more experiences, more work, and more protagonists who can become good mentors and friends can give me more support and inspiration.

    Salute to you, Anne Bronte.

4. Wuthering Heights 



Wuthering Heights by Emily Brontë

When referring to Emily Bronte's "Wuthering Heights", Woolf said that the impulse that prompted Emily Bronte to create was not her own pain and injury. After reading "Wuthering Heights", I can't believe it. 

She said so. The kind of heart-wrenching passion in the novel is almost impossible to achieve by one's imagination without personal experience.

A well-meaning gentleman leads back from the street a dark child who grows up in love with the daughter of this gentleman, while his son abuses him in every possible way. Because he felt the low status of the outsider, the person he loved married someone else, and wanted to give him a chance to change his fate, but this hurt the outsider's self-esteem even more. 

He mysteriously disappeared before his lover married someone else, and a few years later, he made a fortune and launched frantic revenge, he not only got the property of those who had hurt him, but also watched them die one by one, And continued his revenge on their next-generation, fate finally mocked him, his son was a helpless douchebag, crying all day, sick, dying early, and his enemy's The child is just a replica of his youth. 

The person he loves and the daughter born by others become her daughter-in-law and later becomes a dead wife. He cannot prevent a new love from happening and finally dies in desolation. That's the story Emily Bronte tells us in her "Wuthering Heights."

When comparing "Jane Eyre" and "Wuthering Heights", Woolf said that "Jane Eyre" wanted to say "I love, I hate, I suffer", while "Wuthering Heights" went beyond itself and wanted to say " we, the whole of humanity" and "you, the external forces". 

I can't see any difference in the expression of love between the two books. If there is any difference, then "Wuthering Heights" expresses "I love more, I hate more, I suffer more", this kind of love, hate, the pain has reached its limit and brings nothing but madness and destruction. For two people who are madly in love, "we, the entire human race," "you, the outer world" is nothing, they are each other's entire universe.

"If everything else is dead and he's alive, I can live; if everything else is and he's dead, the whole universe will be so strange that I don't feel like I'm part of it anymore." As long as it is said in the mouths of people who are madly in love, I can hardly believe that love will last forever, but I believe that these words are from the bottom of my heart, and they are sent out with blood.

Love, when it was still sweet, was sunshine, rain, and syrup. When it is no longer sweet, it is a cold sword, the deeper the love, the more blood drips. For those who have suffered from love, it will be a sobering agent at any time, making him cautious before falling in love again, 

but even this will not necessarily prevent love from happening again until it shatters all that person's love about love's dream. I don't know how many people die for love, but I believe most of them survived and they survived until the years healed all their memories. How scary it is to think that one day we will be lost in the memory of someone we once loved.
 "I wish I could hold on to you," she continued bitterly, "until we both die! I shouldn't care what you suffer. I don't care about your pain. Why shouldn't you suffer? What? I'm suffering! Will you forget me? Will you be happy when I'm buried in the dirt? 

Twenty years from now will you say, 'That's Katherine Earnshaw's grave. A long time ago I loved her and was sad to lose her, but it's all over. I've loved many more people since then: my child is more dear to me than she is; and, when I die, I won't I'm glad I'm going to her: I'm going to be sad because I have to leave them!' Would you say that, Heathcliff?"

But as long as you live, you have to deal with all kinds of things, until those complicated memories slowly drown out the initial memories, until old age, until life is flat until there is no desire for this world. It was a luxury to live on memories and revenge like Heathcliff did.

Emily Bronte lived to be only thirty years old. I don't know her background, but I think she was burned by passion and despair, which may be a happy thing for her.

5. Northanger Abbey 




Northanger Abbey by Jane Austen 

 In Jane Austen's first work, despite a lot of revisions, you can still see the tenderness of the writing and the youthful simplicity and humor. There are no sophisticated analysis options, only youthful fantasies, and unreserved efforts. This is not only the author himself but also The author describes an ordinary, lovely, kind, and warm heroine.

       Reading Austen is lighthearted, she created our minds and knows ourselves better than we do. And what I was thinking was exactly what was written in the book. "There are very few women in the world, you won't have any other feelings when you know them, you will only be surprised that there are men in this world who like them and marry them if they like them." 

"Talking about politics leads to silence. "It turns out that no matter when and where young women first enter society, their thinking will intersect. Even having unconventional fantasies about the people and places around them is undoubtedly the patient of young women.

        From the beginning to the end of the book, the author's youthful playfulness is always revealed inadvertently. Unlike ordinary young people who have fallen into the situation of "forcing new words to say sorrow". 

This may be one of the reasons for Austen's eternal charm among female readers. The story of serenity, leisure, freshness, playfulness, and happiness is not our weekend afternoon dream!

6. Rebecca 




Rebecca by Daphne Du Maurier 

Without further ado, let's talk about Rebecca. In this novel, she has never appeared, but she has always existed in everyone's heart. Outsiders thought this stunner was impeccable: beautiful, noble, intelligent, capable, daring, and powerful; 

but in her husband Derwent's eyes a complete devil, bitch! She can pretend that everyone can't see her heart, can't see her wildness, and can mix with anyone and confuse all beings. She would do unethical things, and she's in the process of cleaning up. 

This woman is too independent, too bold, she can ride a horse better than a man, and naturally, she can go out to sea alone. She loves no one, she only loves herself. She didn't want to be someone's accessory, and she didn't want to have a man's surname after her name. 

How scary to think, why ask your opinion on what to wear? Why do you talk about your color? Why do you have to invite guests and friends to hold a party as you wish? Just because of your surname!

       I think this is a women's liberation novel and the two heroines in the book are from two eras. Rebecca, seems to be a feminist, she pursues her own freedom, enjoys all kinds of men, and enjoys pleasure, maybe she is called a bitch, so what? She has a hut of her own. Anyone can spend the night here without being granted residency. As soon as the sun rises, people will leave. 

I think Rebecca may not bring too many people of the opposite sex here. Anyone who is willing to go to sea has a heart that cannot be tied. She may just hope that she can continue like this, reading a book, being in a daze, and sleeping. Yes, only where will she feel that she is the master, she is Rebecca, not the mistress of Mandali, not Mrs. Derwent. 

And the poor other Mrs. Derwent, Mrs. Continued Strings, was so well-behaved. It is no wonder that he is loved by the male protagonist. Men all want to have a wife like Rebecca, and at the same time are afraid of having it. Just because it's hard to tame? No, it is not. 

They are afraid that women get more respect and praise than them, and they are timid that their own light will be covered up by her. Let the man, the great sun, hide under the moon's brilliance. They can't stand the trick of controlling women being used on themselves. 

 From beginning to end, the male protagonist never loved Rebecca but was satisfied with the emotion that Rebecca brought prosperity to the manor and brought honor. Men are only afraid of the face. And this Lady Continued String is far less beautiful than Rebecca, and she is dull, but what men see in her is her innocence and her duty of being at the mercy of others. 

Mandoli's masquerade was not because Mrs. Sequel dressed up as Rebecca in the past to make him angry, but she went against his will for the first time after marriage - not dressed as, Alice, that innocent child. 

A man is naive. He wants to marry a wife and hopes that she will always keep the feeling she had when she knew her. Little do they know that a woman can become more perfect herself. This may also be a form of control and escape.

      "Your funny and confused expression like a little girl, the expression I like, has disappeared without a trace. Never again...you've become mature and prudent all of a sudden..." 

How could Derwent know how many times this little girl was sad because she couldn't hold herself back because of her immaturity, and was afraid that she would not be able to do Mrs. Derwent? In reality, how many men leave because women have been naive and unable to mature?

       Men want women like this, women like that, man, what do you want?

       Although Rebecca ended tragically, she truly lived out herself.

  Woolf once wrote a book called A Room of One's Own, which encouraged women to be independent and have opinions about their own cabins. I think the best quote from the book here is "A woman must have money and a room of her own if she is to write fiction."

7. Mrs. Dalloway 


Mrs. Dalloway by Virginia Woolf 

Woolf's characters have a wonderful simplicity, but you don't fully understand him, and even if you've followed his inner monologue or personal perspective a long way, you're still not sure what you know is his. all. There is something hidden, you feel that he is alive, but hides something. 

Mrs. Dalloway is a lovely book, and in fact, every one of Woolf's books is lovely - and certainly decent. Someone asked me in what sense I used the word decency, I think it represents a sincere nobility with purity in which cleanliness and intelligence work. 

I think the Woolf at the back of the book is a witty woman with a good sense of humor, she's not pretentious at all, and her nihilism is endearing, but that cuteness doesn't diminish its desperation. After reading Mrs. Dalloway, the word came to my mind again: "integration". Our Mrs. Dalloway is a woman who perfectly integrates her divisions. 

She knew how to live well in this world, and she chose Richard over Peter. Peter is not someone who can integrate himself, he is "clumsy" to the world and will always be. And how Richard fits into the world, a one-way guy, but he has that tinge of introspective intelligence (if he didn't have even that, Dalloway wouldn't have tolerated marrying him). 

He has the advantage that he won't ask about the other side of Dalloway, he just dumps himself completely on her, and she accepts it with ease, she uses everything he has to achieve her own good life This side of her, but she also left her own space intact, which she knew Richard wouldn't notice. 

This hidden precious space is open to only two people: Peter and Sally. Everything went so well, friends, status, money. The banquet also started smoothly. Until Septimus, the news of the strange young man's suicide came. Mrs. Dalloway's perfect inner world cracked at that moment. No, the crack has always existed, it's just that she usually either looks at this side of the crack or the other side, and she jumps around freely, subtly avoiding facing the crack itself. 

And at that moment she had to look at the deep crack and stare at it, with no choice. More than once in the book, there is a mention of the waves, the choppy, repetitive motion. It seems that the book "The Waves" has long been in Woolf's mind. 

In fact, before reading Mrs. Dalloway I had the false impression that it was about a story that happened on a boat when it actually happened in her other book, The Voyage, but At the time, I did not know the existence of the book "Voyage". 

The waves have always been the image of her subject. "Voyage," "Jacob's Room," "Mrs. Dalloway," "To the Lighthouse," up to "The Wave," which directly imitates the movement of waves. This changing and repeating everything, surging, whistling, washing ashore, shattering, and disappearing, is an irresistible life.

8. A Little Princess 


A Little Princess by Frances Hodgson Burnett 

After watching A Little Princess "Little Princess", I began to know the story when I was very young and watching the TV show "A Little Princess" played by Lan Dengbo. 

The second time I saw this story was when another young actor played the role on TV. Yes, I was moved twice after reading it, and now I have found the book to read, and I am also secretly reading it during work hours!

There are differences between the movie and the book. In the movie, the little princess's father is not dead, but in the book, the little princess's father is dead! But the storytelling of the little princess and the fairytale-like turning into reality all make me feel very beautiful, very happy, and very excited. 

When I saw the little princess starving, I felt very sad. How could a child like that endure so much suffering! Her little heart is so kind that she thinks the world is so dirty; she sees through everything in the world, her strong performance and the hypothetical fairy tale make me feel that everything is still so beautiful!

I also like the portrayal of the little characters in it, I like Lottie the crying child, I like the poor Becky, I like the bakery owner who changed because of Sarah, I like the Indian servant and the little monkey.

Everyone no matter where they are Don't give up your "assumptions" in such a situation, and maintain a princess attitude and politeness no matter what the environment is! Every fairy tale must believe that it is true!

9. Little Women 



Little Women by Louisa May Alcott  

In 2018, Little Women has been published for 150 years; in 2019, my three-year struggle to read it is finally over... The characterization in this book is undoubtedly a success. 

This is because the author spends a lot of space creating them, and that space is of no use other than characterizing them. This kind of emphasis on writing makes the background of the era in which the story takes place is very vague, and therefore the pattern is not high. 

The whole story is very simple, it takes nearly 800 pages to tell the story of four sisters in an ordinary family. In other words, very boring. It was only in the last 200 pages that the plot got a few ups and downs and I didn't have to sigh "so boring" every half a page. 

This book also confirms once again that I really don't like the way traditional novels are written - too little white space and too much concluding description, too much didactic to leave any room for contemplation. 

All in all, it's too sweet and tender and too serious and simple.

10. Anne of Green Gables 


Anne of Green Gables by L. M. Montgomery  

This is a very beautiful children's literature about youth growth. After reading this book, I really wanted to become a girl like Annie. I did it for a long time, but my nature was hard to change, so I had to finish this book. 

There are four books, including "Anne of Green Gables", "The Girl Anne", "Anne of the College Girl", and "Anne of the Poplar in the Wind", all of which are very good-looking. I heard that the author wrote about Annie's whole life. It's so beautiful.

Recommended reason: This book is really strong, it actually created a world tourist attraction! In Asia, it is said that Japanese people like Annie the most. 

Many young Japanese couples choose to go to Cavendish for their honeymoon, and some people The wedding was deliberately held in front of the fireplace in the Green Gables farmhouse, and even more so, the day in the book Anne's wedding had to be chosen.

 Anne lost her parents in childhood and was adopted at the age of eleven. The little orphan girl has a distinct personality and is full of fantasy. With her self-esteem and self-improvement, with her hard work and diligence, she has not only been liked by her adopters but also won the respect and friendship of her teachers and classmates. This masterpiece of Canadian children's literature has been translated into dozens of languages since its publication.

11. Wide Sargasso Sea 


Wide Sargasso Sea by Jean Rhys  

I love this post-colonial novel, and I love it much more than Jane Eyre. The author Rhys is a white Creole who grew up in the British colonies. It is said that when he was a teenager, he was very surprised when he first read about the crazy Creole woman in Jane Eyre and wanted to restore this crazy woman one day. 

What Reese wants to express is complex, but the fusion is cleverly interspersed, and the special awkward position of Creoles between people of color and British whites, the racial conflict on the island, the injustice of women in the combination of law and marriage, And the struggles of a Clio woman's life are revealed in just one short novel. 

Although Jane Eyre was an independent woman who broke through the traditions of the Victorian period, Charlotte could not escape the superiority of white women as a model of elegance and holiness and constructed a Clio crazy woman from the colony such as Rochester's original match to make a comparison. 

Boundless Bathing Sea completely shatters this polarized contrast, and while providing a reasonable explanation for her madness, exposes the psychological scars of the people of color in the colony.

12. The Turn of the Screw 



The Turn of the Screw by Henry James

      Henry James (1843-1916), a famous novelist, literary critic, and playwright, was born into a wealthy family in New York. He chose to travel and study all over Europe when he was young. The long history and profound cultural heritage of the European continent gave him a stronger sense of belonging. 

This famous artist who influenced modern literature finally became a British citizen a year before his death, and then died in London, leaving his soul forever. In this heart-wrenching land.

     "The Turn of the Screw" is the pioneering work of a famous psychoanalytic novel in the 20th century. It was written in 1898. After more than 100 years of circulation, it is still widely praised. 

In terms of choreography and narrative skills, the suspenseful and terrifying atmosphere of the whole story is well rendered: a group of people started a night talking around the fireplace, which has a sense of sight of Japanese horror legends, and this group people listened to the original story in a dark night. 

There are some weird stories that push this creepy feeling to the extreme. In a situation similar to a picture-in-picture, even readers outside the book are not substituted into their own imaginations: the weirdness in the story It won't happen around me, is the reality I'm in the real reality, and whether there are other audiences watching me outside the environment I'm in, admiring the "Truman World" I staged? "?      

        Another aspect of the success of the work lies in the existence of two different interpretations of the governess’s self-reported experiences: one is that what the female teacher said was true, and the two orphans she cared for had far more mature and even more mature children than children of the same age. 

Slightly evil thoughts and this mansion is also shrouded in the shadow of the ghosts of dead servants, the most terrifying thing is that in such an environment, only the female teacher can see the "truth" behind it, and others may not see or For some reason he was silent. 

This state of "sober alone" makes the client face the most terrifying situation, no one understands her, and no one saves her. Many successful horror movies have borrowed this similar setting, such as "The Orphan's Resentment", "Omnipotent" The Keys" and so on, 

the stories mixed with the existence of supernatural phenomena have a surreal feeling in themselves, and the huge conflict between the incredibly realistic existence and people's common sense cognition aggravates the unique shocking perception. 

The other is a psychological interpretation that is very similar to Freud's theory, that is, all the self-reports of the female governess are her subjective imaginations and the projections of her psychological desires in reality. 

German theories are similar rather than directly identified as being equal because the book "The Turn of the Screw" was written earlier than Freud's theory, but Henry James, who also studied philosophy and psychology, should also The theory proposed by Lloyd later is quite agreeable. 

This may also be a coincidence that under the historical conditions of the same period, the heroes of the great people see the same thing.

13. White is for Witching 



White is for Witching by Helen Oyeyemi 

There’s something strange about the Silver family house in the closed-off town of Dover, England. Grand and cavernous with hidden passages and buried secrets, it’s been home to four generations of Silver women—Anna, Jennifer, Lily, and now Miranda, who has lived in the house with her twin brother, Eliot, ever since their father converted it to a bed-and-breakfast. 

The Silver women have always had a strong connection, a pullover one another that reaches across time and space, and when Lily, Miranda’s mother, passes away suddenly while on a trip abroad, Miranda begins suffering strange ailments. 

An eating disorder starves her. She begins hearing voices. When she brings a friend home, Dover’s hostility toward outsiders physically manifests within the four walls of the Silver House, and the lives of everyone inside are irrevocably changed. 

At once an unforgettable mystery and a meditation on race, nationality, and family legacies, White is for Witching is a boldly original, terrifying, and elegant novel by a prodigious talent.

It's not so much a horror as a modern gothic novel, With women trapped in a house like The Shining, the border between the supernatural and reality is blurred, xenophobia, race, snow-white, eating disorder, lesbian desires, haunted house, etc. 

Thematic divisions such as Ore, Eliot, and Silver House are scattered in multiple perspectives. At the end of the reading, I felt that some lines of the author were not recovered, but I was still bewitched by the creepiness and strangeness of Oyeyemi's pen.

14. The Thirteenth Tale 


The Thirteenth Tale: A Novel by Diane Setterfield 

"Once upon a time, there was a haunted house..." 
"Once there was a library..." 
"Once there was a twin..."
    When a successful novelist changes three openings in a row to keep her listeners, it is indeed an Unusual scene. Vida Winter is an enigmatic best-selling author, with countless versions of her past circulating in the world's media. There was as much curiosity about her as there was for the book she didn't finish. 

It was a bizarre collection of short stories, originally titled Thirteen Stories of Change and Despair, which, paradoxically, only had twelve stories, so it was quickly recalled by the publisher after the first edition was released, and the name was changed for the second edition. 

For A Story of Change and Despair. However, Miss Winter's loyal readers are still accustomed to calling this book "Thirteen Stories", and the unwritten story has become the itchiest knot in every Winter fan's heart.

    The person Winter is trying to save with stories in her far-flung villa is an ordinary and unusual girl. Margaret grew up in her own second-hand bookstore, surrounded by books, a loving father, and an indifferent mother. Faced with the invitation to write a biography of Winter, someone else would probably rush to it, but Matrite hesitated that everything might just be a "story". 

After all, there are countless versions of Winter in this world, and each version is produced by Winter. She was curious but did not want to be a good storyteller in vain, so she put forward a condition: she wanted to ask Winter three things, these three things must have a public record, and she would verify these things while listening to Winter's memoirs authenticity, and then decide whether to accept the commission.

    At this point, a vast narrative unfolded between the two. On one side is the terminally ill Winter, who still has the beauty of a stone statue in her old age, she is cold and severe, her palms have strange burns, and the threads of stories are buried in her mind; on the other side is the young and susceptible Margery. 

In the process of listening, she became obsessed with the whole incident and tried to find her own thread in it. As Winter once said, all stories have a beginning, middle, and end, and the key is to get them in the right order. 

Winter's story is told "in the right order," and attentive listeners like Margaret fail to notice an important lack. She got to the end of the story first but didn't guess the beginning.

    As the story progresses, Winter's body declines, and his career is delayed by mental powers and drugs alone. Dr. Clifton is another outsider in and out of the mansion, and under the cover of professionalism, he has only revealed his true heart twice. 

One time, he asked Margaret about the truth of the "Thirteenth Story", but of course, he didn't get an answer; another time, he gave Margaret a unique prescription for insomnia and nightmares: "Arthur Conan? Doyle. The Detectives of Sherlock Holmes. Read ten pages twice a day until you're done."

    There were two girls who had read Jane Eyre time and time again, young Winter— She wasn't even that name then, and Margaret. I am used to finding comfort in stories, perhaps because of the coldness of life itself. After arriving, one of them made a living by telling stories, and the other remembered the bits and pieces that existed in the world in the pile of old papers. 

After a long time and their own pains, they met in the old house in winter, all the past is unfolding in front of them, all they need is a sensitive and clear heart enough to sort out the middle. How many generations of grievances are right and wrong, let's put the missing thirteenth story back to the past it belongs to.

    Then, you can close the book and learn to remember, bury, and forgive. Let the story of the story be the story and the life of the life to be the life. After all, life is not as simple as opening, middle, and ending.

15. Glass Town 



Glass Town: The Imaginary World of the Brontës by Isabel Greenberg 

A graphic novel about the Brontë siblings, and the strange and marvelous imaginary worlds they invented during their childhood
Glass Town is an original graphic novel by Isabel Greenberg that encompasses the eccentric childhoods of the four Brontë children—Charlotte, Branwell, Emily, and Anne. The story begins in 1825, with the deaths of Maria and Elizabeth, the eldest siblings. 

It is in response to this loss that the four remaining Bront. children set pen to paper and created the fictional world that became known as Glass Town. This world and its cast of characters would come to be the Brontës’ escape from the realities of their lives. Within Glass Town, the siblings experienced love, friendship, war, triumph, and heartbreak. 

Through a combination of quotes from the stories originally penned by the Brontës, biographical information about them, and Greenberg's vivid comic book illustrations, readers will find themselves enraptured by this fascinating imaginary world. 

Are you a Jane Austen fan? Then make sure to check out our list of books like Pride and Prejudice

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